igalk474 Posted October 7, 2011 Share Posted October 7, 2011 after analyzing some of the latest routines that were used by:yuri van gelder, iordan iovtchev, alexey nemov, chen yibing, yuri chechi,danny rodriguez, Petrounias eleftherios , dmitry kasperovich,alexander balandin,axleander Safoshkin,Yan Mingyong, Szilveszter Csollany,Hiroyuki Tomita, Andreas Wecker, Philip Boy,Ivan Ivankov, Alex Shatilov...i've noticed some similar strategy for composing them , for example, let's take yuri van gelder's routine (2011): (A) dislocate bwd piked(E) felge upward with straight arms to maltese(E) van gelder(D) felge bwd stretched to azarian to L cross(D) press to inverted cross(D) uprise bwd to jonasson(E) uprise bwd to maltese(E) press to inverted cross(D) uprise bwd to planche© felge upward with straight arms to handstand© double salto bwd stretched0.1+0.5+0.5+0.4+0.4+0.4+0.5+0.5+0.4+0.3+0.3=4.311 elements40 sec , less than 4 sec per elementfrom what i see, the strategy is to :start the routine with something easy for warmup,then do couple of the hardest skills you can do while you are not tired , or your signature movethen fill the rest with a little less difficult skills (make sure you do all the element groups, except swing to handstand, which is at the end)near the end do couple of hard skills, to leave a good impression before finish,warm down with less difficult skill, before dismount,then from handstand do a dismount, at least a C, not something too hard ,something safe, to not damage the final impression and the rest of the routine, and make sure you stick itwhat do you do when you compose a routine, what considerations do you take when composing it? Link to comment Share on other sites More sharing options...
Razz Posted October 8, 2011 Share Posted October 8, 2011 Someone like Gregor can probably answer this better, but the warm up and cooldown doesn't exactly hold true. From what I've seen they do the harder strength skills early in the routine, then some swings, then some less hard strength skills followed by giants and dismount.mGr9RzAVvKA esbSi8mi7LI Link to comment Share on other sites More sharing options...
igalk474 Posted October 8, 2011 Author Share Posted October 8, 2011 thanksthis is their routines:Yuri van Gelder:dislocate bwd pikedfelge upward with straight arms to maltesevan gelder (from maltese to planche)felge bwd stretched to azarian to L crosspress to inverted crossuprise bwd to jonassonuprise bwd to maltesepress to inverted crossuprise bwd to planchefelge upward with straight arms to handstanddouble salto bwd stretchedIordan Iovtchev:from hang, pull straight to inverted hangkip to maltesepress to inverted crosslower to inverted hang then through back lever pull to l cross / like jovtchev to L crosspress to inverted crossjonassonyamawakihonma to iron crosspress to maltesefelge upward with straight arms to handstanddouble salto bwd stretched with 1 twist at the endChen Yibing:azarian to L crosspress to maltesepress to inverted crossjonasson to plancheswing bwd and fall to honma to iron crosspress to inverted crossfall to honma to malteselower slowly through cross to hangslow inlocate from hangkip and uprise bwd to handstandbwd giant swingdouble salto bwd stretched with 1 twist at the endDanny Rodrigues:dislocate bwd pikedrodriguesfrom victorian return to inverted hang and from there pull to malteseuprise fwd to L victorianpress to inverted crossjonasson to maltesepull to victorianazarian to L crossfall and uprise fwd to L sitstraddle press to handtandback giant to handstanddouble salto bwd stretchedAlexander Balandin:felge bwd slowly with straight arms to malteselower to inverted hang lower to hangbalandin 2jonassonyamawakihonma to iron crosslower to slow inlocate from hang to inverted hanguprise bwd to maltesenakayama to iron crosslower to slow inlocate from hang to inverted hanguprise bwd to plancheuprise fwd to handstandfront giantdouble salto fwd piked / balabanovEleftherios Petrounias:felge bwd slowly with straight arms to malteseazarian to L crosspress to inverted crossjonassonuprise bwd to inverted crossuprise bwd to maltesenakayamauprise fwd slowly to inverted hangkip to plancheuprise fwd to handstandback giantdouble salto bwd stretched with 1 twist at the endYuri Chechi:from hang, pull straight to inverted hangkip to maltesenakayama to L crosspress to malteselower tp front lever and pull to iron cross / like pinedadislocate bwd pikeduprise fwd to L sitpress with straight body and arms to handstanduprise bwd to handstandback giantdouble salto bwd stretchedDmitry Kasperovich:azarian to L crosspress to maltesenakayama to crosslower to slow inlocate from hangkip to plancheuprise fwd to inverted crossuprise bwd to inveerted crossjonassonuprise bwd to handstandback giant to handstanddouble salto bwd stretched with 1 twist at the endAlexei Nemov:from hang, pull straight to inverted hangdislocate bwd pikeduprise fwd to inverted crossguczoghyO'Neillguczoghyuprise fwd to handstandback giant to handstandfront giant to handstandback giantdouble salto bwd stretched with 1 twist at the endAlexander Safoshkin:felge bwd slowly with straight arms to maltesepress to inverted crossuprise bwd to honma to L crosspress to inverted crosslower to inverted hang and kip to maltesepress to planche swing bwd and fall to jonassonplancheuprise fwd to handstanddouble salto bwd stretched with 1 twistYan Mingyong:felge bwd slowly with straight arms to maltesepress to planchevan gelder (from planche to maltese)through inverted hang felge bwd slowly with straight arms to malteselower slowly through cross to hangslow inlocate from hangkip and uprise bwd to inverted crossuprise bwd to jonassonuprise bwd to plancheswing bwd and fall to honma to iron crossfrom cross lower to back lever and pull back to crosslower slowly through cross to hangslow inlocate from hangkip and uprise bwd to handstanddouble salto bwd stretched with 1 twistSzilveszter Csollany:from hang, pull straight to inverted hangkip to maltesepress to plancheswing bwd and fall to uprise bwd to maltesenakayama (to iron cross)lower to slow inlocate from hangkip to inverted crossuprise bwd to handstandlower through inverted cross to maltese than through iron cross to azarian to iron crossfall to felge bwd to L sitpress with bend arms and straight body to handstandback giantdouble salto bwd stretchedarthur zanetti:felge bwd from hang to planchevan gelder(from planche to maltese)lower straight to inverted hang fwdkip to uprise bwd to planchelower straight to inverted hang fwdkip to jonnason to straddle planchelower straight to inverted hang bwd felge bwd to maltesenakayama to iron crosslower to hang, rise to inverted hangkip to honma to crosslower to hang, rise to inverted hangkip to uprise bwd to handstanddouble salto bwd stretched with 1 twistHiroyuki Tomita:azarian to L crosspress to inverted crosshonma to maltesenakayama (to L cross)press to malteselower bwd with straight body to inverted hangdislocate bwd pikeduprise fwd to inverted crossuprise fwd to handstandjonasson to handstandfront giantdouble salto fwd piked with 1/2 twist at the endPhilipp Boy:from hang, pull straight to inverted hangkip to L sitlower to malteselower to azatian to iron crosslower to slow inlocate from hang to inverted hangkip to straddle plancheuprise fwd to handstanduprise bwd to jonassonyamawakihonma to iron crosslower to slow inlocate from hang to inverted hangkip and uprise bwd to handstanddouble salto fwd piked / balabanovIvan Ivankov:slow inlocate from hangkip to malteseuprise fwd to inverted crossuprise bwd to invered crossuprise bwd to plancheuprise fwd to handstandfront giantuprise bwd to handstandback giantdouble salto bwd stretched with 1 twistAlex Shatilov:from hang, pull straight to inverted hangdislocate bwd pikeduprise fwd to inverted crossuprise fwd to handstanduprise bwd to handstanduprise bwd to jonassonyamawakiuprise bwd to straddle L sitL sitpress with bend arms and straight body to handstandback giantdouble salto tucked with 2 twists Link to comment Share on other sites More sharing options...
igalk474 Posted October 10, 2011 Author Share Posted October 10, 2011 this looks like a good routine:* = 2 sec hold(A) slow inlocate from hang(D) kip to maltese*(E) van gelder (from maltese to planche*)(D) press to inverted cross*(D) uprise bwd to jonasson(B+C) to honma to inverted cross*(E) jovtchev (to maltese*)(F) rodrigues*, lower to hang(E) balandin 2 (to inverted cross*)(D) lower from inverted cross through maltese than through iron cross to azarian to iron cross* (like csollany)(A) lower slowly through cross to slow inlocate from hang (like chen yibing)© kip and uprise bwd to planche*(B) uprise fwd to chechi© uprise bwd to handstand*© double salto bwd stretched0.1+0.4+0.5+0.4+0.4+0.2+0.3+0.5+0.6+0.5+0.4+0.1+0.3+0.2+0.3+0.3=5.518 sec = holds32 sec = swings, presses=50 secthis is an illustration of it:http://imageshack.us/photo/my-images/5/ ... final.jpg/ Link to comment Share on other sites More sharing options...
igalk474 Posted November 8, 2012 Author Share Posted November 8, 2012 1996 atlanta yuri chechi gold routine:hangpiked dislocate to chechi to maltese*to L cross*to inverted hangkip to L sit*straddle press straight hands to handstand*lower to planche*lower to iron cross* (look/nod left , right, center ,smile while holding)lean back to inverted hangkip to piked dislocate to felge bwd to handstand*back giantdouble salto bwd straight dismount -> stick* , (wave hands,smile...) Link to comment Share on other sites More sharing options...
Joshua Slocum Posted November 11, 2012 Share Posted November 11, 2012 First, you should know about some basics of the rules:1. Only the ten highest-valued elements are counted towards the difficulty score. You can include more skills, but they won't increase your score. (Often you'll find low-valued elements interspersed within a high-level routine. They're mostly there because the gymnast uses them to proceed from one position to another. E.g. Van Gelder begins with a dislocate because he needs to build up a swing for his first real skill.) 2. There are five element groups. You get .5 points for each group that you perform at least one element in. On rings these groups are: swing and basic strength elements (e.g. a dislocate), swing to handstand elements (e.g. a giant), swing to strength elements (e.g. back uprise to maltese), strength elements (e.g. a maltese), and the dismount.3. The dismount category has an additional requirement: in order to get full credit for fulfilling the dismount category, a gymnast must perform a skill with a 'D' or higher value: a 'C' will only get you .3 points, and an 'A' or 'B' skill gets you no points for the element group. In terms of composition tactics, generally a gymnast will seek to split their strength into two sequences, with a swing sequence in between to give themselves a bit of a 'rest.' After the second strength sequence usually comes one or two more swings and the dismount. This is not a hard and fast rule, but it is a common pattern. Link to comment Share on other sites More sharing options...
andiswf Posted November 13, 2012 Share Posted November 13, 2012 hey!mostly gymnasts tend to start with their signature move or the "new" strength-elements or the hardest.however, gymnasts have all their prefered elements..few days ago I competed my first routine with start value of 6 my last strength elements before dismount were for example press to swallow and kip to cross..What will be VERY interesting (if you are interested in composition of rings routines at all)is, what the routines will be with the NEW CODE of points!changes: only 3 strength elements in a row!!!(it is 4 now, until 2013)only B-value SWING elements can lead to a new "strength row" (NO KIPS!!!!!!)jonnasson piked and streched is the same element(only D-value)>> PROBLEM: so what will gymnasts do, who had 7 high value (means D+) strength elements?if you dont know what i mean, I will take the olympic gold routine from arthur zanetti:he had total 7 strength and/or swing to strength elements!1x swing (jonnasson)1x swing to hdstd1x dismountso he did 3 strength in a row(=direct succession) - 1 swing - 4strength in a row- swing to handstand - dismountwith the new rules maybe we will see 3strength - 1 swing(jonasson) - 3strength - 1swing to handstand - 1 strength - 1 dismountI think thats what I will do... but it makes it harder to get to handstand for the dismount (means i will need an extra element as a press to handstand). or try a double pike forward from inverted hang if you change the routine to 1 more swing element (jonasson + tucked one BUT what is only a C!!!) there will be NO problem.another possibility to get another high value swing element would be Guczoghy elements?!it will be hard to have only high value elements and no C-element except the swing to handstand... Link to comment Share on other sites More sharing options...
igalk474 Posted November 27, 2012 Author Share Posted November 27, 2012 thanksonly 3 strength elements in a row?i will probably need to change the routine i wanted to do Link to comment Share on other sites More sharing options...
Blairbob Posted November 30, 2012 Share Posted November 30, 2012 I haven't seen these new changes. Whoa. Only 3 elements besides no kip to strength? Yeah, I missed the Judging course this year. Had to work, to eat and not starve. Bah. Link to comment Share on other sites More sharing options...
andiswf Posted November 30, 2012 Share Posted November 30, 2012 I haven't seen these new changes. Whoa. Only 3 elements besides no kip to strength?Yeah, I missed the Judging course this year. Had to work, to eat and not starve. Bah.what do you mean with no kip to strength? you are allowed to do kip to strength!only the sequence of 3 strength and/or swing(or kip) to strength is new! (it was 4 in the old code..)the "B-value" swing requirement between the strength parts was also in the old code! but now all kip/back kip elements will not result in a new recognized strength sequence :/my english is not the best from the 4 languages I can communicate so here is the part of the newcode of points 2013:Article 12.2.2 2.: ...Thus, for example a final swallow position may only be used twice (belonging to Element Groups 3 and/or 4)for difficulty credit.However not more than 3 such elements can be presented in direct succession. The 4th and subsequent Elements from Group III and/or IV of the same sequence will be considered as repetition, and not recognized by the D jury.However if the gymnast decides to execute more elements fromElement Groups III and/or IV, in order to be recognized by the “D†Jury, he must perform at least a B value swing element (except any kind of kip/back kip) between the first sequence of maximum 3, and another element or sequence from Element Groups III and/or IV. Link to comment Share on other sites More sharing options...
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